An Essay on Typography, by Eric Gill, Christopher Skelton
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An Essay on Typography, by Eric Gill, Christopher Skelton
PDF Ebook An Essay on Typography, by Eric Gill, Christopher Skelton
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Born in 1882, Gill was an artist, letter carver, gadfly, polemicist, and social reformer. In 1925, he had started drawing alphabets and printing books, and in 1931, this plainspoken little book was a fustian and forceful argument for common sense in design, composed for anyone remotely interested in the subtle and evolving challenge of the typographic arts. Set rag right, with tight word spacing, it is a model of composition. The text, like most of Gill's, is exasperating, exorbitant, and exciting. But Gill was, above all, a craftsman, whose work always reflected his philosophy and whose hand always followed his moral convictions.
- Sales Rank: #692348 in Books
- Brand: Brand: David R Godine
- Published on: 2015-09-08
- Original language: English
- Number of items: 1
- Dimensions: 6.60" h x .49" w x 4.28" l, .29 pounds
- Binding: Paperback
- 188 pages
- Used Book in Good Condition
Review
It deals with technical difficulties, the history and evolution of letters, the craft of typography, type design and manufacturing, even orthography, and is written with clarity, humility, and a touch of humor. --Paul Rand, The New York Times Book Review
Most helpful customer reviews
12 of 12 people found the following review helpful.
Typography and Other Apparently Related Issues
By A Customer
This multi-faceted book is a gem. It was written in a period when Industrialism was increasingly establishing itself over Craftsmanship. Gill starts by analyzing the clash between these two worlds, then goes on to situate typography in this melee. Most of the book concerns Gill's views on correct typography, some of which seem quirky. Gill is unique: his forward style and searing insight are inspiring and refreshing, even after six decades. The last section of the book is Gill's proposal to convert written English into phonetic writing, avoiding spelling/pronunciation inconsistencies and increasing efficiency. It makes great sense - typical Gill
11 of 11 people found the following review helpful.
brilliant
By seanwilk
I noticed few reviews for this book, so it had to be said. At once a historical view of typography as well as universal ideals still applicable to modern design. Eric Gill was a genius, and his timeless typefaces were the only window I knew him through before I read this book. This is the sort of book that you finish and then go look for more books like it; my favorite kind.
6 of 6 people found the following review helpful.
History by the man who made it
By wiredweird
This essay on typography is actually an essay on far more. It goes well with William Morris and the Arts and Crafts movement, in its nostalgia for the 'humane' individual craftsman over the commerce and industry. Gill comes back, again and again, to question the proper places of mass production and handwork with respect to each other. He was an idealistic, but still realized that industry was here to stay - it could not (and still can not) simply be wished away. The real goal is "an industrialism ... [with] many noble and admirable features."
Gill uses typography and printing as the vehicle for his social thoughts, and offers a good bit of advice on typography throughout. He discusses letter forms as ethetic, practical, and historical objects - especially interesting from a man who made so much typographic history himself.
I never did quite work my way through all of his social arguments, however. He seems to hold "engineers" as the opponents of art and perhaps creativity. I known that many engineers then and now lack training in esthetics and visual presentation. Anyone who's seen the Brooklyn Bridge or Eiffel Tower knows, however, that engineering is also a creative act. Gill ridiculed the practice of one worker designing a font, a second preparing it for transfer to metal, another cutting the master tools for each letter, and so on. I have to agree, the assembly line mentality is not suited to all tasks, especially when each product is as unique as a letter form. Still, among all arts, printing is perhaps the one most typified by team effort and division of labor. It would be a very rare individual who could create a text worth reading, create the font in which it is presented, set the type and run the press, and carry out all the other tasks needed to create a bound book. The question is not whether parts of a job should be handed to different specialists, but which jobs should be subdivided - a question I never saw answered.
This is a wonderful work by a man whose livelihood, art, and spiritual life all worked closely together. I recommend it to anyone who works in the arts, not just those with an interest in type.
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